Tag Archives: Beatles

“IF JOHN HADN’T MET PAUL”

by Alan Chrisman, c. 2018

Let’s just suppose John Lennon hadn’t met Paul McCartney; how would things have been different?

Or what if they had passed their Decca Records audition? They might have been forced to record someone else’s songs, like Mitch Murray’s “How Do You Do it”. Decca might have released a single and it might have become a minor hit.  And on that supposed Decca album there might even have been, unnoticed, one of their early original songs like “Like Dreamers Do” . Or what if Brian Epstein hadn’t decided to manage them, would they have ever made it out of Liverpool, then London, let alone America?  And if George Martin hadn’t signed them, would any other producer had allowed them to do their own songs or experiment with new sounds? Would there have been a Revolver or Peppers without him and his innovative engineers?  On the other hand, Martin, without them, might have only become known for his James Bond soundtracks and comedy records.

How would that have changed music in Britain? Would it, after skiffle had faded in a year or two, have reverted back to imitating U.S. pop stars and sounds.  Without The Beatles leading the assault on America would there have been a British Invasion? No English bands had before made much of a mark on American shores.  What if Kennedy hadn’t recently been assassinated and the pop charts weren’t filled with clean-cut white “Bobby Bobbys”, as Jerry Lee Lewis called them, because most of the 50’s often black founders of rock’n’roll had vacated the spots for various reasons.  So there was a real vacuum to fill.

Of course, the 60’s would still have happened, civil rights and anti-Vietnam demonstrations and drugs and acid rock from California. In England, some Brit. bands like the Rolling Stones, Yardbirds, and Animals would have still copied their blues heroes.  But how many would have written their own songs if Lennon/McCartney hadn’t shown that it was possible?  Would Brian Wilson have gone against his record company and some of his fellow Beach Boys, wanting to move past just writing about girls, cars and surfing?  Although he was already experimenting with pot and sound textures, without Rubber Soul, would he made the Good Vibrations of Pet Sounds?  And even Bob Dylan , already with a following  on college campuses with his protest songs, but also craving a mass audience, having been booed for going electric, if he hadn’t heard “I Want to Hold Your Hand” and recognizing that “was where music had to go.”? Would his new direction have been accepted by the general public without the  revitalization of rock by the The Beatles too?  What if there had been no Hard Days’ Night movie and The Byrds’ Roger McGuinn hadn’t seen George Harrison’s Rickenbacker guitar and decided to put it together with Dylan’s folk and help popularize folk-rock?  Pop music might have just remained entertainment for teenagers, but The Beatles, especially, showed that it could be so much more- even art.

What might each Beatle have done instead? Would Paul have become a teacher as his mother wanted; perhaps at Liverpool Institute where he might have become a headmaster? Or with his natural musical talent, he might have become a Prof. of Music and composed a classical piece about his childhood called, “Liverpool Oratorio.” Or he might have become just a songwriter providing songs  for pop singers like Welsh singer, Tom Jones(whom in real life turned down “Long And Winding Road”). Or perhaps with his boyish good looks and charm, he might have been the next pop idol a la Cliff Richard and had hits with his ballads “Yesterday” and ” Michelle.”  But unlikely then, he would have been allowed to display his more rocky side, such as “She Loves You” “Lady Madonna” or “Paperback Writer”.  Although he could have still had massive hits with his own songs, “Hey Jude” or “Let It Be”. Or maybe he might have gone another way and become like an Andrew Lloyd Weber and written a show for Broadway based on a character whom had a lonely wedding called “Eleanor Rigby”. That’s all possible.

George Harrison, might have joined his mate, Jackie Lomax’ Liverpool band, The Undertakers, and they might have written together a guitar instrumental, like “Cry For A Shadow.  But unlikely anything as majestic as  “While My Guitar Gently Weeps” or “Something” or “My Sweet Lord”, with Lennon/ McCartney not providing him expert competition.

And Ringo?  After Rory Storm broke up, his drum skills would have gotten him steady work in several Liverpool bands and he’d have been a regular at Butlins’ Holiday camps.  And maybe opened a hair dressing shop and married its hairdresser, Maureen. In short, he would still have been Ringo.

But what of John Lennon-if he hadn’t met Paul?  After his teenage band, The Quarry Men, fell apart,  would “Johnnie” Lennon, as he might have been called, like his estranged father, “Freddie”, have become a Liverpool pub entertainer, playing old rock covers(and perhaps an occasional original tune), when he wasn’t in jail for getting in drunken fights? Or might he have done stand-up comedy like his Dove Dale Primary School classmate, Jimmy Tarbuck?  Comedian Lennon, known for his politically-incorrect jokes about “cripples.” For as a Liverpool School of Art friend had said, “You will one day hit the bottle or hit the top boy and nothing in between.” 

Would his pub friends have believed him when he said he knew he’d always been a genius? Would there have ever been a “Strawberry Fields Forever” or “Walrus” (or “Imagine” or “Give Peace a Chance”, if he hadn’t met a Japanese avant garde artist), or a more commercial, Paul McCartney?

It took a lot of just the right circumstances and personalities and talents to all come together. Fortunately, they all did. A Beatle flapped its wings and the universe opened up-for us all.

 

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The Beatles' new re-release of their original Mono LP's

THE BEATLES’ MONO VINYL RE-RELEASES, 2014 (& THE LOST TRIBAL RITUAL OF READING LINER NOTES)

THE BEATLES’ MONO VINYL RE-RELEASES, 2014 (& The Lost Tribal Ritual of Reading Liner Notes)

By Alan Chrisman, copyright.

In honor of the recent re-release of the original Beatles on Mono albums set, I thought I’d write some reflections of all the changes that have happened, in how we listen to music.

It’s kind of ironic, because, there has been a real return to vinyl, even among whole new generations, let alone people like the Baby Boomers who grew up with it.  Many people now get their music directly through downloading (and don’t even think of paying for it and helping support the artists who make it), so it’s actually become harder than ever for musicians to make a living.

“ Has the McDonaldization of music , with its constant accessibility, taken something away from the music itself”

I wrote the above words back in 1989, for an Ottawa, Canada university newspaper, when CD’s were supposed to be the new format, that would sound better and last forever.  And just today, I heard that Ottawa’s CD Warehouse (nominated once as the best music store in Canada) is closing their doors after 24 years.  Of course, as with the DVD video format, people have changed the way they consume music and film.  And “consume” is perhaps the fitting word.  Like fast food restaurants we, a lot of us anyway, want to just gobble it down 24/7.

But some of us still remember, how we would, after saving up our money as kids, finally be able to afford the latest LP.  The Beatles’, especially, seem to have a new album out about every 6 months or so (groups today are lucky to get one out every few years).  Every Beatles’ record was a quantum leap from the previous one- from Rubber Soul to Revolver to Sgt. Peppers’ to The White Album to Abbey Road. The other leaders in rock at the time, like Dylan and the Stones, did the same thing, and we as fans had to make the jumps too. Albums were albums then, each one had a certain “flow” or feel to it; artists and producers worked hard to position each song for variety, etc. and sometimes with even an overall concept behind it.  “Kids these days” download songs separately and thus doesn’t have the same impact.  Instead of a three-minute statement , an artist had a  whole side or two of an LP to explore his or her expressions.  I think that’s why so many of those albums still stand up.

And then it was a whole ritual we went through. You couldn’t wait to rush home, after waiting so long to finally have a copy, and tear off the plastic wrapping, like it was Xmas, and gaze at the a cover.  For there was a real art to designing covers then,  especially after Sgt. Peppers’ psychedelic one, and as with the music inside, musicians were constantly trying to outdo each other artistically, but in a friendly rivals way, which made us all grow, artists and audience alike.  Then we would pop it on the turntable and play it for the first time.  But at the same time, we’d read  over the back cover and the often-printed lyrics and liner notes, noting who’s singing what song  and who’s playing what instrument and which musicians are guesting on it, etc.

I know it probably sounds strange to some people who didn’t grow up with it this way, like some fancy chef going on and on about the proper way to savor a fine wine or meal.  But that is what it was like for so many of us back then.  It was a ritual and rituals are important.  There is something to be said, even for having to wait for things in life, in the same way, which children still appreciate, after anticipating a present, getting up early Xmas morning, and finally getting it.  There’s just something about having to work for it and receiving finally its reward.  Getting a new album, felt like that to us.

I wrote those above words about the taking for granted of our music, 25 years ago now.  And perhaps, we did lose something in the process, in this fast paced world of the internet and social media, where everything, for good and bad, is available to us all, anytime.

Times change, and that’s just life too.  But as Marshall Mcluhan told us, each media also changes the message. There were first, Thomas Edison’s wax cylinders, 78 rpm’s, 33’s, 45 singles, LP’s, 8- tracks , cassettes, CD’s and now MP3’s, downloading, streaming-each for its time.  Analog vinyl, which several musicians like Neil Young have long maintained (Young has recently announced his own process), most experts now agree, has a “warmer” sound than digital (and these are the first re-releases that went back to the original mono analog masters).  Steve Berkowitz, one of engineers on the new project states, “the intention of these records is only realized in analog, because they made them in analog. People will feel it differently. There are sounds and feelings and spaces that the human animal reacts to, whether you know it or not. It’s innate in us in as animals.”

Generations since then may not be aware of these differences, because they haven’t actually heard them, especially using the portable devices of today. The Beatles themselves actually took part in the mixing of the original mono versions, whereas, the later stereo versions were usually mixed by engineers only. So this is the way the Beatles originally intended them to be heard.

People laughed at me when I wrote those words and when I even predicted a comeback for vinyl one day.  At the time, I was running a vinyl store called Get Back! Records (a take-off on both The Beatles and my hope that vinyl would come back one day).  I ran vinyl stores for 30 years, opening perhaps the first used one in Ottawa, Canada in 1972.  The owner of the Ottawa CD store that just announced its closing, said that vinyl sales have actually been increasing by two or three times every year, these past few years.  It’s still admittedly, a relatively small minority market , but many bands, both new and old (including McCartney’s latest), are now also available on vinyl.   The Beatles box vinyl

Alan Chrisman's Get Back! Record Store, Ottawa, Canada

Alan Chrisman’s ” Get Back! Records’ vinyl store, Ottawa, Canada, The Citizen Newspaper article, 1999, trying to keep vinyl alive. It seems to have come true!

set of the original 11 mono British LP’s  + 3 LP’s of other mono songs is $375 (and doesn’t include Abbey Road, Let It Be or Yellow Submarine, because they weren’t released in mono) is mainly for collectors (individual albums can also be purchased),  but at least it’s finally available.  After all these years, we can again hear the way these great songs were originally intended to be heard (some fans have long said the stereo versions never sounded quite accurate).

All I can say is, I can still remember first hearing, The Beatles’ Yesterday and Today album , which Capitol Records complied from the British LP’s  and named it (and later withdrew the legendary, rare “Butcher Cover”),  growing up in the States in 1966.  And it was the original mono version (which I still have, amazingly) with “Day Tripper” coming out of my speakers in Mono and feeling like The Beatles were right there in my university room.  There’s something to be said, as I say, for  these often tribal youth rituals which human beings still seem to need, and the somewhat surprising return to vinyl by many young people too, these past several years.  They remind us, that despite all the changes, some things are timeless.  Get Back to Mono!

Read Alan Chrisman’s other recent blog on his meeting several people from The Beatles Beginnings: Meeting People Who Were There First        www.beatlely.wordpress.com